Moraleja CN6 住宅

基地位于马德里以北的 La Moraleja。它向下展开：从街道标高的入口处，一片成熟橡树构成的起伏地形向南界跌落。项目直接由这一地形出发。住宅在坡顶进入，对街仅以一层呈现，并随地面在其下方跌落，通过两个主要楼层向下延伸。

One storey visible from the street.

The entry sequence begins at the highest point of the plot: a garden, a path, a plaza that functions as an arrival threshold before the house proper. From here, one volume is visible against the sky. The full extent of the project, its section, its scale, its relationship to the landscape, is only understood from within.

The programme unfolds below: descending with the land rather than sitting above it. The lower level accommodates parking, an indoor pool, and service areas in a semi-buried condition, with views, natural light, and ventilation despite their position. The roof of this level is planted, reading as ground from the living areas above.

Section as the primary decision.

The day spaces occupy the intermediate level, principal rooms oriented toward the south, where the oak canopy is densest and most continuous. The section is calibrated precisely: the house is most open where the landscape is most generous, and most contained where the street boundary is nearest.

This calibration produces a building that behaves differently depending on your position relative to it. From the street, it is discreet to the point of near-invisibility. From the garden level, it opens fully. From within, it is present and spatially generous across every level.

Oak canopy as climate and light.

The mature oak trees of La Moraleja, some of them decades old, are the dominant spatial presence of the development. Rather than treating them as obstacles or incidental features, the project positions the main glazed facades directly beneath the canopy, so that the tree cover filters the southern light before it enters the rooms.

The result is an interior light quality that changes continuously through the seasons: the canopy is dense in summer, filtering and cooling; sparse in winter, allowing low sun to penetrate deep into the plan. The trees do the work that mechanical systems would otherwise perform.

From outside, barely a building.

From the street the house is discreet to the point of near-invisibility. From within, it belongs entirely to its landscape. The architecture is the negotiation between those two readings: one storey to the road, three storeys to the garden, with the planted roof of the lower level rejoining the slope as if the house had only borrowed the ground.